The old Kibera Photo Project site was made before the workshops had even started. So, since I had a precious Sunday free today I decided to redesign the site.  I really wanted to showcase what the kids wrote about Kibera as well as their photos.  The old way of showing the photographs was sort of inefficient, now there is a flickr gallery.  Much better.  Anyway, check it out:  http://www.wemappeace.org/photo

Also, be a facebook fan of the Kibera Photo Project HERE.

Tomorrow I am going to Manhattan to meet with the Digital Democracy team and sign on our new intern, Seth Caplan.  He is an amazing photographer and will be helping me out with some gallery and book stuff.  I am really happy to have him on board.  See his website and photography here: http://www.seth-caplan.com

I start at Yale on Thursday, but have had orientation for the last week.  One part of orientation was getting familiarized with the amazing amount of technology and equipment we have access to in the Yale Digital Fabrication Lab and wood shop.  We were told to make something (anything) that used wood, metal and plastic. My group of three made a rock climbing wall. I will post pictures later perhaps, we are going to hang it somewhere in the studio so that we can take out physical frustration at 3am in the middle of our first year all nighters.

Slum Peace Graffiti Artist Solo 7 traded me some beautiful art for a quick website, and I just finished it. Check it out here: http://www.peacewantedalive.com

People constantly ask me what type of architecture I want to do when I graduate: residential or commercial.  The question, while totally benign, frustrates me to no end.  Firstly, architecture school (or a good one anyway) is meant to teach a person to be a great designer, not a great residential or a great commercial designer or even a great architectural designer.  But that should be obvious.  So, my answer to the infuriating question, currently, is that I just want to design beautiful, efficient and interesting things.

The following is my personal philosophy about architecture.

Architecture is philosophy.  Architecture that is not founded in philosophy is not architecture, it is merely construction.  Within the practice of “architecture” there are three different types:  pragmatic, formal and phenomenal. The first, pragmatic, deals with putting together the most efficient, sensible design.  This is definitely an artform, coping with the constraint of economic, environmental or spatial limitation can lead to inventive designs and technological leaps. In a pragmatic building, high performance is the main aim. The form can be minimalistic, but basic functions mastered.

The second, formal design, deals with the actually forms that comprise the building.  The building becomes a “duck” on the semiotic spectrum between the duck and the decorated shed (see the work of Venturi Scott Brown).  By this I mean that the building looks like some thing that inspired the designer.  Many “starchitects” (star+architect = starchitect) are formal designers, merely because this type of architecture often makes a statement. Some examples of this:  the puzzle piece architecture that Frank Ghery showed us several months ago (spaces are comprised of segments of wall that literally look like puzzle pieces),  the sail building in Dubai (its form is literally the shape of a dhao sail).  But formal architecture doesn’t have to replicate some “unarchitectural” object, it can also be architecture that almost arbitrarily creates space with form rather than creating form from space.

The third, phenomenal design, is a type of architectural design chiefly concerned with examining, noticing, amplifying or glorifying a phenomenon that exists in the site or in the world.  For example, a building near a lake can be designed entirely based on the way that the water will reflect onto its ceiling.  Or, a building meant to be circumambulated quickly (like a museum) could be designed to make a person pay attention to their footstep length. A phenomenal building makes the inhabitant, the user, realize something about their environment or themselves that they never knew, chose to ignore or simply forgot somewhere along the way.

So please, if you ask what type of architecture I want to do when I grow up, don’t be confused if I answer with “phenomenal architecture”.  The phrase means so much more to me than just “amazing buildings.”

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There is something about the end of a trip that can make you feel empty. You sit in the airport about to take off, to return to your “home”, savor the final smell, the final words, the final tastes of a place that you borrowed for a while. I am cross-legged on the floor with my souvenirs in tow; a Maasi bracelet, a painting by Solo 7, pants from Lamu and shoes that remind me of the dirt and colors of Kibera. But it is not these things that make me feel different.

What is it about experiencing new places that changes us?

In my case I feel older, (32 days to be exact) but not wiser. More questions remain asked than answered. What can we do to help the helpless? How can you design a place like Kibera to be more sanitary and safer? How can we learn from Africans while sharing some of our very few valuable western ideals?

But these people aren’t helpless, they merely need the opportunity to help themselves. They have potentials that we could only dream of having precisely because of the same circumstances that stifle them. Take, for example, the kids in my photography workshop. Who ever would have thought that kids ages 11-13 from the world’s largest slum would be able to create world class images with machines they had previously not been able to touch, let alone experiment with. How many other kids, and for that matter, adults, are never given the opportunity to find their passions? Most of them will end up recapitulating the lifestyles of their parents if they are not given a leg up, or the opportunity to give themselves a leg up. But then who should be responsible/hold the power/be responsible for creating these opportunities? I just read an article about Kenya adopting a more western educational system, one that will not promote a binary curriculum. But who is to say that that is the best system for them to adopt? I was not better off for the American psyche in some ways…it took me many years to accept the fact that I am a designer—not a lawyer, not a doctor, not a political scientist, not a military officer. At some point it was ingrained in me that being a designer was a less legitimate way to make a living. I assumed designing would be a hobby, left for my free time after I was done with more important things. But then I realized that following your passion is more important than ANYTHING ELSE. It is so cliché, but the most important thing to realize, and one of the hardest conclusions for me to come to.

Back to talking about Kibera. Kennedy Odede, founder of SHOFCO, recent author of a great op-ed in the NYTimes and my friend from Kibera recently asked me how I would redesign Kibera, and how I would do it logistically. After stumbling over my words, thinking quickly (and wrongly), and making assumptions, I realized something that my photography workshops are supposed to have been teaching us all. Kibera is beautiful. The spaces are designed, just in a more organic, temporally stretched way than Westerners are used to. I recently had a conversation with someone who told me that Africans are alive and Westerners are just slowly dying. This particular version of African architecture is also living, constantly changing, morphing as boards crack, aluminum rusts and families grow.

So. My conclusion is that I have no conclusions. Pole sana rafiki. All that I about this places is that it is beautiful, its people are bright but oppressed by circumstance, and that it will have a lasting impression on my life. I will miss the many friends I made, from the workshop kids who expanded their minds (and mine) as we walked down the paths of Kibera, to the bag salesman on the side of our road who bought me an orange he couldn’t afford as a going away present. I have met so many people and done so many things over this very short period of time. Now, I start my journey “home”. But isn’t that a journey that all of us are always on?

I am starting graduate architecture school at Yale on Monday, I will continue my work for Sisi ni Amani stateside, I am still heading design for Fragile Oasis, and I will be arranging photography gallery openings and hopefully a book deal for the kids photos. There will be much to write about even though I am not in Kenya, and I hope that you will join me for that as well.

I have made a trade with Solo 7. I am making him a website and he is giving me one of his most amazing paintings in exchange. It will be PeaceWantedAlive.com…so watch out for it, it is coming soon. In the meantime I get to cart back the most beautiful painting to the USA.

I am wrapping things up in Nairobi, it is really bittersweet. I could absolutely live in Kenya, but there is so much waiting for me back in the USA.

So the people I was with in Lamu I am not allowed to blog about because they are being trailed by paparazzi from their country. They are two of the most famous people in their country apparently, and their relationship is not public (so pictures of them traveling together would be on all of the front pages of their tabloids). They were very nice and hilarious, and I am invited to said undisclosed country anytime I want to stay with them/be shown around by them. I will probably take them up on it because it is a country/city that I am very interested in traveling to anyway.

The others included the ambassador’s son of said country and his Kenyan girlfriend. One guy from Italy, a girl from England, my Afrikaans friend from South Africa, and a guy from Finland. Quite the international group…it was interesting to be the only American, especially when we were talking about the stereotypes of America and Americans (FYI: Its not looking good guys). Apparently as far as Americans go, I have a very neutral accent. They said they couldn’t actually tell I was American at first. I think it is because I have developed a small Nairobi accent that helps Kenyans understand me. They taught me some freestyle European Frisbee games on the beach. It was so much fun and I am happy to have made friends with them.
After some drama with the airline I have returned to Nairobi for a couple of days to wrap up my trip, my photo workshops and my web development. I am going to miss it here. The people, the food, the weather, the smells.

At least I am taking back an entire bag of souvenirs (evil laugh) muahahaha.

I decided to go to Lamu, a little island off of the coast of Kenya near Somalia.  My South African friend Jan was going to meet some of his friends there to go to a Swahili wedding in the town of Matondoni, so I decided to tag along.
Lamu is beautiful.  You fly into a tiny tiny airstrip, take a boat across a canal/inlet, and arrive at a little village with beautiful meditteranean looking buildings and narrow streets.  The buildings are as old as the 1500’s and are falling apart in a beautiful way.  Ivy covers them and palm trees literally grow through the floors of the treehouse style buildings.  There are no cars, only donkeys and boats.  A beach that was literally endless sand, dunes, camels, and one castle stretches for miles and miles.  And there was every water sport you could imagine, and for cheap.  It was paradise.

The Swahili wedding was a riot.  Our friend Ali was getting married to a woman named Fatima.  She was locked up in a room the entire time, literally until almost midnight on the third night.  No one was allowed to see her.  There was dancing every night.  Most of the time the women would dance in circled like a Conga line for hours and hours and hours and hours, while the men would dance with spears or sticks (typical).   They never danced together.  We ate dinner at Ali’s house every night, it was always an amazing spread of Swahili food that was served to us as we sat on reed mats. I even helped the mother and sister make hundreds of Mandazi.
One of the coolest things that we saw was this dance where the men were wearing white robes with colorful kangas or scarves wrapped around them as belts.  They had plants in their hair, on their backs, reeds stuck in their belts.  Some were holding flowers and “sharpening” their swords on them.  The line of men went from youngest to oldest, the oldest in the back.  They did this rocking, jerky motion back and forth but didn’t really move their feet, so ten minutes later they would be only about a foot from where they started.

But what I really liked about this ceremony was that it was completely authentic.  These men were not dancing for us tourists, the village on the island was too remote to cater anything to tourists.  They were dancing for themselves, and for their friends, and for Ali.

The most beautiful things that I encountered while in Lamu had to do with the stars.  I have never been in a remote enough place to see the milky way galaxy clearly.  It looks like a huge blemish on the sky, like something spilled up there, or like a cloud.  We were laying on a mat outside the wedding house in Matondoni, watching for shooting stars for about two hours.  On the boat on the way back to Lamu Town we noticed that there were phosphorescent plankton in the water.  As the boat moved quickly through the water in the complete darkness, all we could see was a sparkling glow from the phosphorescent creatures in the water splashing up next to the boat and the glow of the actual stars mirroring them in the sky.

As far as touristy vacationey things, I learned how to windsurf (from a guy named Saadi who eventually proposed to me and let me have the wind surfing for free…they throw around wedding proposals the same way that we might throw around dinner date invitations).  I swam and layed on the beach and am practically African I have such a dark tan.  I went sailing on a Dao boat and went running on the beach.

Tuesday

-       at iHub preperation for Uchaguzi deployment (tomorrow for the Kenyan Constitutional Referendum)

-       Lunch with Erik Hershman of White African blog fame (also the founder of Ushahidi)

-       Wrote a press release that can be seen:   http://blog.ushahidi.com/index.php/2010/08/03/uchaguzi-kenya-video-and-press-release/ and    http://ireport.cnn.com/docs/DOC-478629?ref=feeds%2Flatest

-     Stocked up on food, cell phone credit, water and clothes to last us a week if we got stuck in the iHub for some reason.

Wednesday

Everyone began mapping the reports early through Uchaguzi, Rachel and Cody taught volunteers how to use the system while I and other Ushahidi techies did some troubleshooting. We got some VERY funny reports, you can see them at the Ushahidi situation room.  They included one that was about a woman going into labor and the crowd at the poll naming the baby Red Wafula Green.  So I tweeted it saying: “An #Uchaguzi SMS report: “Woman goes into labour at Kabete polling station. Voters have pre-named the baby ‘Red Wafula Green” #kenyadecides
The tweet went on to be the top tweet about the Kenyan referendum, it was retweeted literally hundreds of times.  You can see that it is the top tweet here: http://topsy.com/s?type=tweet&q=%23kenyadecides but most hilariously, it was written up in a Reuters article: http://in.reuters.com/article/idINIndia-50625520100804.  Basically I am the author of a viral tweet.  How fun.  Then there was some drama because this guy was claiming it was his tweet initially etc. Honestly so ridiculous.

In the iHub today it was chaos.  There were reporters everywhere, people with cameras, and we were being streamed live on a webcam to a site called the Situation Room.  Cant pick your nose.  Uchaguzi got all sorts of press.  I accidentally turned the “Submit a Report” button on the site bright green at one point (Green is the color of the “Yes” campaign) and had a panicked 5 minutes trying to change it back.  I was interviewed by the Ushahidi videographer about it later. But the referendum went well, there really wasn’t any violence.  It was really a generally wonderful day.  It ended with some foosball and dancing in the iHub until 3 am.

Photo workshop in Kibera today.  I had the kids do some photo editing.  Back at iHub I finalized some stuff for Fragile Oasis….have I blogged about that yet? I am working on a project with Astronaut Ron Garan right now. He told me that he is going to take one of my graduation pictures from Wash U into space with him.  I get to have my picture taken into space!! That’s only like.. one step away from actually being there! Hah, but really, I am so honored!

We went to dinner at Dr Gitahi’s house tonight, he is the head of the Africa sector of Smile Train.  His kids and wife are so nice (and kids are so cute!!).  But what I want to write about is Big Brother.  This is possibly the most bizarre thing that I have ever seen.  It is a reality tv show that has its own station. Every day, all day long you can tune in and watch these people living in this house.  At first when we were watching I didn’t realize this, and was thinking to myself that it was the most boring reality tv show I had ever seen.  Then it was explained to me that its on 24 7, so literally we were just watching them hanging out in their house…putting on lotion, changing clothes, chatting with each other about nothing. If I lived here I decided I would totally be addicted..I mean its only slightly worse than the Real Houswives of NYC which I am pretty addicted to in the USA…